Showing posts with label KathleenCrowleyCostumeCouture. Show all posts
Showing posts with label KathleenCrowleyCostumeCouture. Show all posts

Thursday, April 20, 2017

Venice Carnival Happened





















Venice Carnival happened and I helped dress Lynn Rutter and Erling Wold again . I always jump when they need something made because they are so much fun to work with!

































We spruced up the muslin over dress that I had created for her marriage to Erling several years ago. Its so pretty and I love that she got to wear it again! She wore it over a Dark Garden corset and matching skirt. I was over the moon as I didn't really get a full length photo of this creation on the big day! The Empress was a vision!
































Erling needed something to go under this coat that I had made for him quite some time ago. I was pleased that with all the wear and tear that this garment has gone through, I really didnt need to repair it at all. I found some pretty claret colored fabric and dandified him up with a new waistcoat and breeches. I did a lot of hand applique on the waistcoat and he does look divine if I do say so myself. We made it so that he could also wear it with a gorgeous frock coat that he had acquired through ACT.


Monday, March 27, 2017













Ive been pretty busy in March. Now that we have the longer daylight, I get more done (I spend my mornings doing admin and sourcing - plus all the errands......). Ive had lots of vintage alterations lately, which I dearly love. I'm finishing up a few projects and starting a few more.............gotta keep the flow going...........I helped style a bridal photo shoot with Black Lotus Clothing last week. We should hopefully see results of that in May.

Every now and then, I miss a call or someone  doesn't call me back. I do my best to get right back to all of you, but please give me a few days just in case I'm in deadline mode! I treat your project as importantly as everyone else's and when Im really into working on your gown or costume, Im going to be focusing intently on finishing it up for you also. That may mean not being able to drop what Im doing just when I want to!

That being said, I always have to be revolving projects. So email me!! Call me!! Keep bugging me!!

April is promising to be busy. My shop at Tews Treasures is looking cuter every day. As soon as the rains stop, I'll be building a cute display wall so that I bring more fun things in - AND we have lots of events lined up! Ive got one more Bridal Show to attend this Spring!
Stay Tuned!!!!
X

Wednesday, February 15, 2017






















Black Lotus Clothing and Kathleen Crowley Costume Couture have teamed up to offer an alternative to off-the-rack wedding gowns!

Two small collections were designed by Christina Molcillo and carried into fruition by myself.  We've got 1920's and Boho for you!

Initially, Christina will sit down with you first and discuss what you are looking for in a gown. Then you will come to me and we will make it work. I'll discuss your design and take your measurements. A mockup of the gown will tell us if we need to change something in the design to work best with your figure type. It also gets any corrections in the pattern taken care of before I cut into fabric. While I am working on your mockup, Christina is sourcing materials. Then what we actually do is hand the gowns back and forth until we get them perfect. I'll tweak the gown, she'll tweak the gown. She'll do the hand embellishing, but I might jump in or finish it. She might not like the bodice or I might think something has to be done differently to get the desired effect. Its a true collaborative effort. We do fittings.........we do it all. All 100% custom made from start to finish! Its magic!

Christina designed the set here in the pics,  styled the shoots, and I helped out where I could. Im afraid that my expertise has to stay within the field of textiles these days........but we have taken this set and models and gown to three or four bridal events these last few months, and Im not beyond setting up and striking the set when needed.

Here are samples that Christina designed and two gowns that we worked on for private clients. These photos are just delicious. Im very proud of us!


For Information on how to go about commissioning us to create a stunning gown for you, please go to www.blacklotusclothing.com and check out her beautiful website! Contact her there.

I still work independently of Black Lotus Clothing, so contact me at kc.costumecouture at gmail.com for your costume/alteration/bridal needs! Its great to have options!

Thursday, May 12, 2016

Modernize Or Die

As many of you may know, I teamed up with Carolena Nericcio-Bohlman of FatChanceBellyDance a couple of years ago to create a line of versatile clothing - both for dance and for fashion - and we carved a little sewing studio out of part of her dance studio in San Francisco. We've come up with some fun garments that have been doing well and this is where I sell the Bessie Skirt. Unfortunately, despite our best efforts, the city had other plans for us and a dance studio that has been a huge part of my life for many, many years now has to close.

These things don't happen overnight, of course. Bit by bit San Francisco has been rubbing out its diversity with greed. The Bay Area is congested beyond belief. The commute into the city is a nightmare unless you hit it just right - and this is getting worse by the day.  If you have to schlep lots of stuff around, public transportation isn't feasible, Parking is all but nonexistent, the landscape changes daily, businesses are gone overnight, citizens are fleeing  because of the impossible conditions of trying to get by............and then it is exhausting to come back in............dance class attendance was down and getting worse because of all of this. Despite obvious interest in sewing classes, it was just too hard to fill a class............

I knew it was all over when I came into the city for our weekly meeting/ product development/sew-fest and the cheapish parking lot ( the only one close by) was closed.  That was the nail in the coffin for me. And then the landlord died. Well, we know now what comes next.

So everything is changing and the studio is shutting down. Classes will be spread around to make it easier for all to attend and Carolena is opening a shop in Half Moon Bay where the Bessie line will be featured. There will also be online shopping, of course! The magic will continue and it will be awesome! There is much more fun to be had!

An era is ending, but a new one is beginning. Modernize Or Die is the new motto.



Tuesday, May 10, 2016

Manus x Machina: My Small Contribution To A Fabulous Gala Event....

































The Met Gala, formally called the Costume Institute Gala and also known as the Met Ball, is an annual fundraising gala for the benefit of the Metropolitan Museum of Art's Costume Institute in New York City. It marks the grand opening of the Costume Institute's annual fashion exhibit. Each year's event celebrates the theme of that year's Costume Institute exhibition, and the exhibition sets the tone for the formal dress of the night, since guests are expected to choose their fashion to match the theme of the exhibit. Each year the event also has honorary celebrity event day chairpersons.

Details

The Costume Institute Gala is a major fundraising benefit that serves as an opening celebration for the Institute's annual fashion exhibit. Following the event, the exhibition runs for several months.  The Gala is widely regarded as one of the most exclusive social events in New York and one of the biggest fundraising nights in the city. It is one of the most notable sources of funding for the Institute. The affair, attended by personalities from the arts, fashion, high-society, film and music, has been held at the Met since 1946 and is considered to be the fashion industry's premier annual red carpet event. Its red carpet fashions are widely photographed, reviewed, critiqued and emulated.

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Obviously this event is a big deal and generates a lot of donations to help run the Met's Costume Institute. It takes an insanely huge amount of revenue to bring us exhibits and do all the things. It has been slammed as a celebrity prom (whats wrong with that?) and there are always those who complain that the money used for $2000.00 manicures could be used to solve world hunger. Well, lets get real: it keeps your creatives and our suppliers fed instead. That is a big deal to those of us who like to eat as well.  And then we trickle this money into all the other businesses of our choosing.
                                                    This. Is. A. Good. Thing. 
































 We have all seen the celebrities on the red carpet at this event. If you didn't know better, you would assume that these are the only  attendees...........but there is a whole event packed with plenty of people who paid big bucks to attend and who are wearing amazing pieces. They may not get all the attention, but they pay the admission price and they pay dearly to support the Museum and to stand out in the crowd. I was happy to help out this season................

Chris March designed a lovely ensemble for one of these generous ladies. She was very particular about the gown, the design, the fabric, the theme.............she was very hands on and had a great sense of humor. She loves dressing up and understands what it takes to make a project like this work.  I made the mockup and carried out the design. We "made" the fabric. I sewed yards and yards of leather trim onto bias cut skirt pieces. I had a lot of fun with this!
































And after the skirt was done, I covered a bustier to match the skirt. That part wasn't as much fun because my machine started rebelling.  But the machine and I worked it out. We're good like that.































 This is what the skirt originally looked like when it was done. It fit her perfectly and she was thrilled, but after much discussion and contemplation, she had us cut out the back train. She wasn't going to have a crew available to help her maneuver the crowd. After having plenty of trains trampled in crowds myself over the years,  I couldn't argue with her concern. I get it. So we took out some volume. It was still a pretty voluminous skirt and Chris took the opportunity to take the trim off of the discarded train and add more to the gown.............































Look how pretty this fabric is up close: very Manus x Machina if I do say so myself.

 Chris made a spectacular neckpiece for her.
































She looked like a Movie Star, had a great time, was theme appropriate, was sooooooooo pretty, looked like royalty, didn't get trampled, and everyone asked her where she got her garb.

 *WIN*